In terms of story this is on the surface at least, the simplest thing Kubrick ever made. However in terms of the technical aspect, it must have been one of his most challenging. The plot is basically about how greed, arrogance and ignorance can easily become the ruin of a man. The story itself is well told, but mostly quite simple as I said. The humor keeps us interested in the story, as does its undeniable visual beauty. It is not a stretch to say that this must be among the most beautiful looking films ever made. Every scene is filmed in all natural light, whether it be by sun or fire, and the landscapes and architecture handpicked by Kubrick himself are amazing. As in all Kubrick films, so much attention to small details equates to a great result in the end. Spielberg himself has called this film "possibly the most beautifully shot film in history.".

In terms of story, it's entertaining, in terms of it's technical achievement, the film is a landmark. Even for all the story's simplicity, there is a startling statement in the film that certainly can give the viewer real pause and thought. The finality of this world, the equality of all things in the end. It is certainly an interesting, powerful and very humbling down to earth observation. It is the kind of worldly observation that could perhaps lead some people to ruin, and yet lead others to strive for perfection. Perhaps that is part of Kubrick's thinking here, a Kubrickian challenge if you will, as he certainly was always an artist that was challenging his viewers. That through this observation people may become more aware of what they're leaving behind in this world...as one day, we will all equally be gone. For all the things written about this film, it is probably not nearly as unimportant of a story as many critics have said of it. Then again, critics and moviegoers alike have long been trying to catch up to Stanley, and never the other way around. 8.5/10.

Barry Lyndon is one of my favourite films of all time. Kubrick's craftsmanship is impeccable. The film is slow and dreamy in its pace which, along with the scenic shots, establishes a romanticised watercolour view of the period (somewhat like a Carpenter landscape). In fact, Kubrick has set up almost every shot (indoor and out) like a painting. This romanticism provides an interesting counterpoint against Lyndon's less than admirable actions throughout the film.

I would have to say that the best acting in Barry Lyndon comes from some of the minor actors. Leonard Rossiter delivers a fantastic portrait of the arrogant Captain Quinn, with exaggerated facial expressions and movements (eg. like in the dance scene, or when his engagement to Nora is announced) that are perfect for the self-aggrandising bluster of this character. Leon Vitali as Lord Bullingdon also gives an insightful performance as Barry's stepson.