Interesting Cecil B. DeMille film about four passengers fleeing a plague-infested ship and having to fight their way through the jungle. William Gargan is a pompous reporter who's the he-man of the group, pointing his gun at everything that moves and barking orders. Mary Boland is a talkative middle-aged socialite who provides most of the movie's humor and is pretty much the highlight. Herbert Marshall is a sarcastic chemist who discovers his masculinity through the ordeal. Claudette Colbert plays a mousy geography teacher with pinned-up hair and glasses. As the film progresses, she lets her hair down, loses the glasses, and wears less clothes. So naturally she becomes increasingly sexy and self-confident! The two men, of course, start to notice her more. Leo Carillo is an English-speaking native guide who is terrible at his job and gets the group lost!

As I said, it's an interesting film for DeMille, who is known as a director of epics. This is a smaller, more character-driven story. It's a nice little film, if a slight one. Corny at times but enjoyable enough. The cast is good and the direction solid. Colbert is lovely and makes the most of a silly part. Try not to take it too seriously and I'm sure you'll enjoy it more.

Utter balderdash with the DeMille touch, although it is missing a big set piece which in his later films was standard, has to do with people stranded on an island fending off man and beast. Somehow going through the rigors of the jungle makes Claudette more attractive rather than less, she even has an indistinct but very definite nude scene under a waterfall. Herbert Marshall is fine as usual but the real standout is Mary Boland doing her best fluttery nincompoop, the periods when she disappears from the film it really suffers because of it. A notorious flop in its day this is enjoyable if you are a fan of DeMille's excesses but he's definitely made better films.

One of Cecil B. DeMille's lesser and lesser-known efforts, Four Frightened People is a Depression era melodrama that cashes in on the public's misgivings about modern society, a culture of decadence whose values seemed as doubtful as its future. Will a forced return to untamed nature lay bare what refinement and sophistication have only hidden from view? Escaping to a remote island after the plague breaks out on the steamer that was to take them back to the US, four frightened people are about to find out. As the director himself put it in a radio trailer for the film, the titular characters are meant to "reveal just how rapidly the polite mold of civilization disintegrates under the influence of the jungle. These people shed civilization when they shed their clothes. They become like animals of the jungle, fighting and loving like the beasts who terrify them." DeMille, of course, is decidedly of that culture of decadence; and when he strips his characters, he is less interested in teaching than in teasing us.

Don't expect to see starchy Herbert Marshall drop his trousers; the cameraman reportedly had some difficulty concealing the actor's artificial leg. Claudette Colbert, however, once again obliges, as she did before in The Sign of the Cross. Here she plays Miss Jones, a timid schoolteacher who gradually tosses her inhibitions and prim getup to pursue a wilderness romance and frolic in a waterfall. To keep such titillation going, cheeky DeMille employs a chimpanzee to snatch what's left of her dress. Far from being shamed and subdued, Miss Jones learns to enjoy being lost and finding out what school and society seem to have kept from her. "Can't I have feelings as well as you?" she confronts her male companions. "Well, I can! And from now on I'm gonna let them out. If I got to be lost, I'm gonna be lost the way I want to be, and do all the things I've wanted to do before I die." Of course, when exposed to such fire, neither the self-absorbed reporter (William Gargan) nor the disillusioned and unhappily married chemist (Marshall) in her party can resist the flame.

DeMille was an expert at striptease, at unveiling his leading ladies for public display, and at packaging such lowbrow peepshows as high art. Four Frightened People does without the props of antiquity and insists instead on the film's authenticity as a nature study. "All exterior scenes in this picture were actually photographed in the strange jungles on the slopes of the Mauna Loa and Mauna Kea in the South Pacific," the words on the screen are meant to assure us, even though the less than impressive cinematography will fail to convince anyone that DeMille was even half as interested in flora than in flesh.

Filmed and initially released prior to the enforcement of the production code, Four Frightened People generates some steam, however creaky the engine. Welcome sparks of comedy are added by the delightful Mary Boland, who portrays a society lady determined to educate the natives about birth control while encouraging the illicit affair of her cultured companions.