"Stunts" is a combination of action movie and murder mystery that works well both ways: there are some truly impressive stunts (duh!), but the mystery plot ain't bad, either (I was almost certain about the person who was behind the killings based on Roger Ebert's "Law Of Economy Of Characters"....I was wrong). The actors give understated performances and create believable characters. Joanna Cassidy, in one of her first roles, has the one big physical and emotional outburst in a bar, showing hints of the talent that has kept her career going for more than four decades. The efforts of many real-life stuntmen (like Gary Davis, who plays Robert Forster's brother) guarantee the stunts' authenticity and legitimacy. **1/2 out of 4.

This was Bob Shaye's - and New Line Cinema's - first full-length production after a decade as a pure distribution company. Director Mark Lester would tell The Pink Smoke, "They were distributing Truck Stop Women to college campuses and they already had a script, so I was hired to direct it. We hired Robert Forster because he had done Medium Cool. Don Stroud was supposed to star in it but he got into a motorcycle accident the night before shooting."

The film starts with the death of one of Greg Wilson, one of its stuntmen, who was set up. His brother Glen (Forster) arrives on the set, along with B.J. Parswell (Fiona Lewis!), a reporter who wants to write about the danger of the stunt game. The minute Glen gets there he gets hit on by the producer's wife (Candice Rialson, in one of her last roles; she's also great in pretty much everything she ever did, like Chatterbox, Hollywood Boulevard and Moonshine County Express).

Glen joins the stunt team of the film, who all promise one another that if anyone gets hurt, they'll always pull the plug for one another, predating Dr. Kevorkian by several years. Screw the law. We're stuntmen!

One of the people that have to get the plug pulled on them is Chuck, played by Bruce Glover, always a welcome sight. He's married to Joanna Cassidy, who is - again, you're going to get this a lot with this cast - astounding in everything I've ever seen her in. In this one, more than aardvarking with Crispin's dad in a waterbed in the back of a custom van, she's punching the faces of an entire bar of rednecks.

The death keeps coming, as Paul (Ray Sharkey? This is like a B&S About Movies dream cast and it gets even better) gets trapped in a burning building. That means that our hero has to finish the film, figure out who the killer is and get some revenge.

Former pro wrestler Hard Boiled Haggerty shows up, as does Richard Lynch. And you know how I feel about Mr. Lynch and the fact that he can make any movie better just by walking on set. Suffice to say he does way more than saunter on here.

This is why we're doing an entire week of Mark Lester's films. He knows how to get a story told, gather the right people to help tell it and get out of the way. He's never let me down yet.

The always terrific and charismatic Robert ("Alligator") Forster gives a typically fine and engaging performance as a gutsy ace veteran stuntman who's working on a troubled low-budget action picture that's being plagued by the unusual and alarming "accidental" deaths of several other stuntmen performing dangerous gags for the film. Director Mark ("Night of the Running Man") Lester, working from a smart and compelling script by Dennis Johnson and Barney Cohen, expertly maintains a steady pace throughout, stages the plentiful superb and stirring stunts with considerable brio and skill, and offers an intriguing behind-the-scenes glimpse into the making of a down'n'dirty indie feature. The first-rate cast of familiar B-movie faces qualifies as another substantial asset: Fiona ("The Fury") Lewis as a feisty journalist doing an article on the crazy stunt profession, Bruce ("Walking Tall") Glover, Joanna ("The Glove") Cassidy and Ray ("The Idolmaker") Sharkey as fellow courageous stunt people, Richard ("God Told Me To") Lynch as the special effects coordinator, Candice ("Summer School Teachers") Rialson as a flirtatious stuck-up harlot of a starlet, and Darrell ("Blood Beach") Fetty as an eager beaver production assistant. Bruce ("Jackson County Jail") Logan's crisp cinematography, Michael Kamen's thrilling, melodic score, and the groovy theme song are all likewise up to snuff. A very cool and undeservedly neglected little sleeper that's a funky 70's drive-in flick precursor to the very similar (and stupendous) "The Stuntman."