Very good movie, all actors are very good, the performance of Maria is superb,you can feel her feelings even when she is silent..the movie shows the problem a girl faces because of two different cultures, this clash of cultures is not only a problem of pakistan but it is a reality all around the world

"Hva vil folk si" follows the story of a young Norwegian-Pakistani woman Nisa and the horrors that she faces in the hands of her family in the name of culture. These are one among thousands of horror stories that happen to people of the developing world. Though the developed countries have matured culturally, the developing world is far behind and still treat grown up children like property.

Director Iram Haq gives life to her own ordeal and the horrors that she faced as a young woman. Ably supported by her lead actor Maria Mozhdah, who in a tremendous performance will steal our hearts and sympathies equally. Brilliant cinematography and editing are a plus factors to this low budgeted film. Supporting actors too have done a decent job. Sync sound is used to great effect to kindle our emotions.

It is a must watch movie for the developed world, just to understand how culturally different they are from the rest. I believe that Religious Parents in the developing world wouldn't give a hoot to the contents in Hva vil folk si but liberal parents can learn a thing or two. One should take care of their children till they are about 12, Only guide them and support them as teenagers, at 18 they should be able to decide for themselves. The children have come to live their lives in this world not ours.

"Hva vil folk si" or "What Will People Say" is a new Norwegian movie that premiered in 2017 already and managed a solid amount of awards recognition already and I truly hope a lot will follow. Writer and director of these 105 minutes is Iram Haq and her name already gives away vaguely the direction this film is going to take. There is not too much Norwegian in here except the boyfriend early on perhaps. This is the story of a Muslim teenager stuck between modern age-appropriate life and the bodns that come with her religion. When she gets caught with her boyfriend by her conservative father, he and her brother abduct her and take her back in the country of her forefathers where she is supposed to find out about the core values of who she is. Or I should say who everybody else wants her to be. It is really tragic. This film is not scared at all of depicting taboos and it is all very shocking. The abduction scene is one example. Another is the constant physical and psychological violence brought upon the poor young woman. It's a journey of suffering. And the status quo in the country where she is abducted too really made me shiver. The scene with the officers is particularly shokcing really when also an element of sexual abuse comes into play. Heartbreaking stuff how she is punished again and again for thing she did not even do and even if she did it would have been something girls her age do when they feel affection, maybe even love, for somebody else. Another less drastic, but equally sad moment was when she listens to the conversation between her dad and the boy's dad and the boy himself because it seems she really likes him, but of course he is also unable to break through and stand up to her and go against his dad. There is nobody supporting her in her life. And tha last chapter with the forced marriage and her basically being sent to Canada where she will have nothing in her life other than an existence as a (house)wife and mother to a not particularly handsome doctor and his future children. This is the moment that her father realizes how wrong he ahs been, at least to some extent and it's finally the first time he lets her go at the very end, which is as close to a happy end the film can get while still managing to stay realistic. Sure you could ask if it feels authentic that he watches while doing nothing when she runs away with all he did before, especially the potential suicide scene, but I let him get away with that because the one area where he always wanted his daughter to be happy was when it came to her dreams in the world of jobs and professions. And after all, he did not have the power to kill her himself, not even close. He was suffering a lot at the same time too. I actually really liked that the last shot of the film was on his face and not on the daughter as it showed how he stays back and she may be on her way into a hopefully happier life and world at that point. A great cast overall and a huge thumbs-up to Maria Mozhdah, who is a scene stealer in every scene from start to finish and may have a very bright career ahead of her. Same thumbs up to woman filmmaker Haq for her bold and painfully real depiction here. She is not willing to make things right. There is no emotional ending with the family unrealistically loving and hugging the daughter out of nowhere. It would have been a joke actually with the mother saying shortly before that that she wishes Nisha would never have been born. A film that is painful to watch because of how good it is and how close it is to the truth. I would not be surprised at all if this story happed to 100s, maybe 1000 Nishas out there who eventually ended up stuck in an unhappy (for them) marriage. Highly highly recommended,one of 2017's very best movies. Some gerat talent involved here. An absolute must-see.